Andrew Haigh’s deeply affecting, time-slipping feature centres on a middle-aged gay writer grappling with the profound consequences of grief and structural homophobia.
Passages review for Sight & Sound
Ira Sachs’s drama, starring Franz Rogowski, Ben Whishaw and Adèle Exarchopolous, explores three characters’ jostling wants and needs
Lie With Me review for Sight & Sound
Pretty Red Dress review for Sight & Sound
Dionne Edwards’s debut feature deftly balances a family’s competing desires, vulnerabilities and insensitivities
Beau is Afraid review for Sight & Sound
Ari Aster’s overblown pseudo-surreal picaresque odyssey is less a story about human beings in human situations than a trippy gamut of threats and feelings. It’s a lot.
Magic Mike’s Last Dance review for Sight & Sound
The third film about the male entertainer played by Channing Tatum feels like an uncoordinated misstep.
Tropical Malady article for Sight & Sound’s Greatest Films of All Time issue 2023
An introduction to a captivating work that defies straightforward understanding, and suggests understanding may be overrated.
Glass Onion: A Knives Out Mystery review for Sight & Sound
Reference and recapitulation are at the heart of Rian Johnson’s new film, a follow-up to Knives Out (2019), his popular reinvention of the country-house whodunit.
After Blue (Dirty Paradise) review for Sight & Sound
Lynch/Oz review for Sight & Sound
An essay film on the links between The Wizard of Oz (1937), the works of David Lynch and the heartening, terrifying dreamlike weirdness of Americana.
