Terence Davies interview for Sight & Sound

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In a funny, surprising and deeply moving encounter, the filmmaker talks about love, hate, his new film Benediction and his favourite TV shows.

Everything Everywhere All At Once review for Sight & Sound

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Michelle Yeoh channels multidimensional skills to grapple with her family’s exploding identities in this hyper-inventive, goofily radical pop fantasia.

The Unbearable Weight of Massive Talent review for Sight & Sound

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Nicolas Cage stars as a fictionalised version of himself in a tongue-in-cheek caper that breaks on the rocks of self awareness.

The Dropout review for Sight & Sound

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A series about med-tech fraudster Elizabeth Holmes probes the magical thinking of transformative visions, confidence tricks and the American dream.

BFI Flare 2022 preview for Sight & Sound

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London’s celebration of queer cinema returns to in-person screenings while keeping some of its online offering.

Great Freedom review for Sight & Sound

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Sebastiane Meise’s film about gay incarceration in postwar Germany finds the value of holding and being held tight when it counts.

Minyan review for Sight & Sound

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A portrait of Jewish and queer intergenerationality proposes collective agency as a version of hope.

Ellie and Abbie (and Abbie’s Dead Aunt) review for Sight & Sound

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Monica Zanetti’s lesbian romance makes homophobia a historical issue, summoning a ghost of the queer past for high school advice.

Martyr review for Sight & Sound

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A waterfront in Beirut is a place for escape and langurous pleasure in Mazen Khaled’s sensual exploration of male corporeality, both in life and in death

Derek Jarman exhibition preview for Sight & Sound

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Two retrospective shows in Manchester and Southampton reveal the urgent timeliness of Jarman’s politics, art and life to Britain today.