December 2020 update

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 Hello. I hope you and your loved ones are keeping safe and well in the continuing weirdness. Here’s a round-up of a few things I’ve been up to that might be of interest.   Something for the weekend: This Is Not a Dream streaming online Back in 2011, Gavin Butt and I made a feature […]

Online workshop call-out: DIY Hope Machines (LADA DIY 2020)

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Fancy £200 for doing an artists’ workshop about queer hope, support, mutation and fun? Dr Duckie’s on the case, in collaboration with Folkestone Fringe and the Live Art Development Agency.

Dr Duckie guest spot on How To Be Hopeful

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Link to a recent conversation with Bernadette Russell for her podcast about new forms of hope in difficult times.

Unorthodox review for Sight & Sound

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The Netflix series about a young Hassidic woman who breaks with her community asks who and what human lives are for.

Dr Duckie online – read the PhD, watch the talk

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Now live: online resources from my doctoral research about Duckie and homemade mutant hope machines, including open-access PhD thesis and an hour-long talk.

Tiger King vs Crip Camp: worlds apart

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Two Netflix documentaries offer contrasting visions of worlds beyond the mainstream, set up by outsiders on their own terms. What can they teach us about life after the pandemic?

Article for Performance Research on Duckie’s Slaughterhouse Club

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Linking to an article based on my PhD research with Duckie – about The Slaughterhouse Club drop-in arts project for people living with homelessness – in the academic journal article Performance Research.

Interview with Oliver Hermanus about Moffie for Sight & Sound

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The South African director talks about male sexual stigma and fear in a paranoid nation.

April 2020 update

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Info about my recent and upcoming activity including responses to the coronavirus pandemic, Dr Duckie latest and coverage of BFI Flare’s Five Films for Freedom and Bourgeois & Maurice’s Insane Animals.

BFI Flare Five Films for Freedom 2020 round-up for Sight & Sound

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A review of this year’s shorts selection – co-produced by BFI Flare and the British Council to be viewed online around the world – in the context of the festival’s cancellation because of coronavirus.

 
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