London’s celebration of queer cinema includes a tribute to the pioneering British director of 1978’s Nighthawks.
Magic Mike’s Last Dance review for Sight & Sound
The third film about the male entertainer played by Channing Tatum feels like an uncoordinated misstep.
Tropical Malady article for Sight & Sound’s Greatest Films of All Time issue 2023
An introduction to a captivating work that defies straightforward understanding, and suggests understanding may be overrated.
Glass Onion: A Knives Out Mystery review for Sight & Sound
Reference and recapitulation are at the heart of Rian Johnson’s new film, a follow-up to Knives Out (2019), his popular reinvention of the country-house whodunit.
After Blue (Dirty Paradise) review for Sight & Sound
Lynch/Oz review for Sight & Sound
An essay film on the links between The Wizard of Oz (1937), the works of David Lynch and the heartening, terrifying dreamlike weirdness of Americana.
All is Vanity review for Sight & Sound
An ambitious debut feature that ricochets from chamber piece to industry satire to paranormal puzzle box.
Nope review for Sight & Sound
Jordan Peele is unique in delivering original, timely and intriguing satirical blockbusters that get under the skin. His UFO-based third feature is an unsettling, uneven inquiry into the American urge to see and be seen.
Maisie review for Sight & Sound
Lee Cooper’s documentary about the UK’s oldest performing drag artiste includes compelling fly-on-the-wall material and potent performance footage.
Donna review for Sight & Sound
Jay Bedwani’s documentary sees late-blossoming cabaret performer Donna Personna reckon with her past while finding promise in her future.
